The line between the good guys and the bad guys blurs as ruthless bounty hunters No Name and Dynamite Davenport shoot their way through the Wild West, collecting rewards and making more enemies than friends. With the outlaw John Wilkes Booth on the run and gold hidden in the hills, justice must be served.

Following her father's murder, a revenge-driven woman puts her trust in a powerful crime boss — and enters the police force under his direction.

Ho’s current film installation “The Name,” is a dynamic montage of found footage taken from films created in the Western tradition featuring the motif of the romantic cult of genius to depict the act of writing as a creative, torturous process. The film then uses a voice-over to come to terms with the kind of author who completely deviates from this ideal. In creating “The Name,” Ho puts to use his ruminations and years of research into the journalistic writings of the mysterious author Gene Z. Hanrahan. Ho’s interest in the writer was sparked by the book “The Communist Struggle in Malaya,” which was published in the USA in 1954. The book is an astonishingly informative treatise about the communist struggle on the Malay Peninsula during the colonial era; further publications from Hanrahan, however, concerning guerrilla tactics in China, or “The Wild Years,” about Ernest Hemingway’s work, raise doubts about Hanrahan’s identity as an authorial subject. By citing the example of a single concrete historical case that left its traces on Malaysian historiography, Ho’s use of cinematic and artistic devices help to demonstrate the instability of the notion of authorship and originality. 　　“The Name” forms the counterpart to Ho’s film “The Nameless,” which he originally produced for the Shanghai Biennale in 2014. Teeming with double-meanings and polysemy, this story about a triple agent in Southeast Asia could not be shown in Shanghai as a result of government censorship. It will instead be shown for the first time at the Akademie der Künste on Hanseatenweg as part of the exhibition “Forum Expanded”, known this year by the title “The Sound of the Closing Door,” to take place during the Berlin Film Festival (until Feb 15th).

Ho’s current film installation “The Name,” is a dynamic montage of found footage taken from films created in the Western tradition featuring the motif of the romantic cult of genius to depict the act of writing as a creative, torturous process. The film then uses a voice-over to come to terms with the kind of author who completely deviates from this ideal. In creating “The Name,” Ho puts to use his ruminations and years of research into the journalistic writings of the mysterious author Gene Z. Hanrahan. Ho’s interest in the writer was sparked by the book “The Communist Struggle in Malaya,” which was published in the USA in 1954. The book is an astonishingly informative treatise about the communist struggle on the Malay Peninsula during the colonial era; further publications from Hanrahan, however, concerning guerrilla tactics in China, or “The Wild Years,” about Ernest Hemingway’s work, raise doubts about Hanrahan’s identity as an authorial subject. By citing the example of a single concrete historical case that left its traces on Malaysian historiography, Ho’s use of cinematic and artistic devices help to demonstrate the instability of the notion of authorship and originality. 　　“The Name” forms the counterpart to Ho’s film “The Nameless,” which he originally produced for the Shanghai Biennale in 2014. Teeming with double-meanings and polysemy, this story about a triple agent in Southeast Asia could not be shown in Shanghai as a result of government censorship. It will instead be shown for the first time at the Akademie der Künste on Hanseatenweg as part of the exhibition “Forum Expanded”, known this year by the title “The Sound of the Closing Door,” to take place during the Berlin Film Festival (until Feb 15th).

A legendary assassin takes on an elimination task targeting the famous pop singer. She succeeds in kidnapping the singer but is hesitant to kill him, while he is hesitant to run away.

High schoolers Mitsuha and Taki are complete strangers living separate lives. But one night, they suddenly switch places. Mitsuha wakes up in Taki’s body, and he in hers. This bizarre occurrence continues to happen randomly, and the two must adjust their lives around each other.

A revival of the American television game show that put two contestants against each other to test their knowledge of songs.

A revival of the American television game show that put two contestants against each other to test their knowledge of songs.

In 1982, André Bamberski learns about the death of his 14 year-old daughter, Kalinka, while she was on vacation with her mother and stepfather in Germany. Convinced that Kalinka’s death was not an accident, Bamberski begins to investigate. A botched autopsy report raises his suspicions and leads him to accuse Kalinka’s stepfather, Dr Dieter Krombach, as the murderer.Unable to indict Krombach in Germany, Bamberski attempts to take the trial to France, where he will dedicate his life to Kalinka’s justice and the imprisonment of Krombach.

Comedy panel show about people with the same first name, hosted by Sue Perkins.